(Updated June 17, 2023)
Detail from old postcard by Jim Lynch |
Listen to the Noise
by:
B. Marie Jarreau
A jambalaya mix of offbeat notes and loud-thumping-bass-beats
peppered with high pitched clarinet calls and wailsome saxophone sighs floated,
danced and barged their way around our 1950s-60s, New Orleans 7th Ward
neighborhood.
Traveling on the warm night breezes, the sound carried with it
news that there was Cajun food to be had and spicy music to be heard.
Some residents were not as fond of the
sounds that lay upon the otherwise tranquil environment: “Listen to that
noise!” could sometimes be heard filtered through the loud music.
Those residents simply tolerated the
weekend’s intrusion since the event was often a fund raising activity for the
local church or perhaps for a recent high school graduate’s college fund - and
it was a rarity that any ‘trouble’ ever occurred around these events. This was a time when parents and neighbors had much more control over maintaining a peaceful environment
than we experience today. However, whioe that
‘noise’ brought some objection, others
couldn’t wait for each lively jazz-filled fund-raising, fun raising ‘Supper’ event.
What’s Cookin’?
We had only to follow the sound or the
aromas to purchase a plateful of delicious home cooked fried chicken, soft-shell
crab, seafood gumbo, potato salad, po-boy sandwich with all the ‘trimmings’ or
whatever the ‘ladies’ had been cooking-up since early in the day. Gentlemen delighted in entering that kitchen
doorway with a hearty, “Hey good-lookin’ what’s cookin’?”
“Red-beans and rice and everything’s
nice,” the familiar reply.
There might be six to eight ladies,
young and older, working together in colorful cotton aprons, to make sure the food
they offered would be talked about with great admiration throughout the coming
week.
But oh, the music!
Fedoras and English Driving Caps
Wives, daughters, grandmothers and
sweethearts worked in the kitchen preparing and selling plates of food through
the screen door while husbands, sons, grandfathers and eligible bachelors
gathered in the backyard gardens to add the musical spice to the honeysuckle-scented
evening air.
Even in the warmth of the New Orleans
environment it was not uncommon for these backyard musicians to sport Fedoras,
English driving caps, derbies; silk vests with pink or yellow shirts – starched
and pressed; and fine jacquard-patterned tweed-like slacks – sharply creased down
the center of the pant legs, front and back! Even the footwear told a
story about the style of its musically inclined wearer: oxblood Brogues with
decorative 'punching' over the toe or stylish wingtips in three shades of leather
finished off the ensemble.
My memories of these events seem to go
back to about age 8 to 11. We (siblings
and/or friends) might walk over to purchase a supper with or without an adult
escort with no concern for safety (oh! the good ole’ days!). The location might be one-city-block away or even
four, rarely more than that. We were not
allowed to stay for the music. It was an ‘adults-only’ area.
Often there was a solid-wood fence,
separating the musicians from those approaching the kitchen door to make a culinary purchase. We were in
awe of the music; but also very curious about what else adults might be doing
in the privacy of the backyard.
Occasionally, we were able to catch a glimpse through the weathered
boards or knotholes of the fence, or maybe a quick look when someone entering
or exiting didn’t immediately close the fence-gate.
Don’t You Dare Go Back There!
We might see the tables dotted with
fine crystal glasses, wine or other interesting bottles, ashtrays; and cigarettes
caressed in long slim feminine ivory or Bakelite holders, the smoke swirling
around like ribbons dancing with the rhythm. This was enough indication that
the music area was off limits to youngsters – no one had to say, “Now, don’t you
dare go back there!” We knew better!
Our enjoyment of the music was easily-had
just sitting on the front steps as the sound traveled throughout the neighborhood and
into the late hours of the night. The music began playing around sundown, after
the men arrived home from work and donned their ‘sharp’ evening-attire and
gathered their instruments. Some arrived later. We all knew the best music
would be played a few hours into the ‘session,’ perhaps when more musicians had
arrived from farther away – or after they’d passed the initial blending of the
players. Perhaps after a shot or two of bourbon.
Front Steps, New Orleans - 7th Ward, 2001 - (Not exactly me :o) |
Listen To The Noise!
Other neighbors would either sit on
their porches or stroll around the block taking-in the sounds. You might hear,
“Listen to that awful noise! When are they gonna be quiet over there?”
Most often the dialog would be, “Maaaan,
Listen to the Noise! Ain’t that a beautiful sound!”
The wail of the sax and syncopated
jazzy guitar notes danced round and round with the clarinet’s lofty lilt and
the mellow buzz of a trumpet as fingers pumped the pistons. The ‘thump - bump -
bump’ of the big fat bass kept it all connected – it was a noise to be savored;
and free for the listening.
Music really does have the power to
reach-in and touch the soul in places where little else does, regardless of
your age. I remember being mesmerized by the soothing melodies and the
rocking vibrations that drifted over the fence, following the old cobblestone city
streets beneath the canopy of ancient old white-oak trees. The sound meandered-in - through our front gate then took an unrestricted path to embrace my
senses. I had no experience as a
musician, merely a listener, but even then, I had a deep yearning to be part of the magic of music.
Decorative New Orleans style front porch rought-ironwork. |
A shy, introvert all of my youth, it
seemed that that experience would never be part of my life. Then the ‘Beatles came to town’ and expanded
my interest in music even more. I was as goggle-eyed as all the other girls over Paul and
John, but I listened intently and fell under the spell of the music and the lyrics as much as with those handsome personalities.
Yearning For A Guitar
I don’t recall anymore neighborhood ‘Suppers’
and associated jazz sessions after that. I don’t know if they’d ended or if the
Beatles simply overshadowed that experience. I do know I yearned for a guitar. Our
senior year in high school (Joseph S. Clark Sr. High - 1969) my girlfriend’s parents
gave her an acoustic guitar. As I remember it was a maple top Sears & Roebuck standard catalog six-string, acoustic.
They wanted her to play. She could not
have cared less about music beyond the fact that we were all in love with Paul
McCartney and we all enjoyed dancing to the mugic of the music makers. She had no interest in "making" music.
When I left home to join the
Air Force shortly after graduation, she gifted me with that guitar as a going away present. Not long after, I became captivated with the
music and songs of John Denver. My own love of music became a real
motivation to do something about that lifelong desire to take the leap from music appreciation to become a music maker.
Later, as an Air Force Air Traffic Controller, I
was stationed at Mather AFB, just outside Sacramento, Calif. working odd shift
hours. All of my spare time was spent teaching myself to play the guitar using
song books and familiar recordings. Air Force boot camp and the ATC career field had helped
to lessen the stress of my introvert’s insecurity and I even began to play a
song or two for a few close friends when the occasion was right.
I continued to play off and on throughout
my life, though I all but gave it up for a (now ex-) husband who offered only
discouragement and ridicule. Later, as a
single mother, raising my two daughters and holding down a full time job, my
interest in music was mainly restricted, once again, to that of - listener.
Though I’d never envisioned myself
a professional entertainer (that life seemed too wild and unstable for my
interests) I did enjoy creating music with voice and guitar to share with
friends. Many years later, I began to make time for the music I’d loved
for so long: Beatles, John Denver, Joanie Mitchel, Bob Dylan, Emmy Lou Harris, Aretha Franklin, Willy Nelson, Hank Williams, various folk singers, even an occasional pop
tune. I played for small audiences of family and friends and sometimes
performed fund-raising concerts for non-profit events where a few local ‘fans’ made sure they attended.
Fate Dragged Me Back Into Music
Now, let’s move ahead several decades where
I find myself retired from the daily job of earning a living and, happily, as a
first-time grandmother. I breathe a sigh
of relief when I think that upon making a recent move, from Oregon to Arizona,
I toyed with the idea of getting rid of my collection of 4-5 guitars and
settling down to the retired life to knit, crochet, paint, make crafty things
and just become ‘grandmotherly.' Instead, fate stepped in and dragged
me back into music – not exactly kicking and screaming!
Having made the move to Arizona, I was
once again gifted with a music connection. Not with a guitar this time, but
with a great group of neighbors/friends who are supportive of my interest in creating
and sharing music. The group actually began with a new next-door neighbor who had been involved in music
for well over 50 years as performer and producer and operated his own small recording studio in Canada. A diversion for him from the rigors of the day-job as 'mild-mannered-tax-consultant' but, none-the-less, a passion. Kris Baldwin was the proverbial "music-producer-who-moves-next-door-and-turns-you-into-an-actual-singer-and-recording-star!" You know - it's the stuff that dreams are made of! On a small scale, relative to our Northern Arizona community, this is exactly what he - as mentor - did for me.
He wrote songs that he felt suited my voice, coached me to find the richness that he felt possible there and motivated me to continue reaching for the very best my music talents might offer. He then recorded the resulting music efforts and encouraged my own efforts in song writing. We spent
hours in the small studio annex, recording tracks and used them to
produce "my first CD" titled 'Coming Into Focus' – with potential for more!
I refer to "Coming Into Focus" as my 'training-wheel' music experience as I had no earthly idea of what I was doing, the process or what to really expect. With Kris' encouragement, my vocal efforts grew into a stronger and richer-fuller vocal sound. Soon we teamed up as a music duo for performances throughout the Verde Valley which includes the well recognized tourist-mecca of Sedona-Arizona. From coffee houses, backyard, bar-b-ques, wineries to concert halls we soon had a devoted following of music fans, a music presence on the world-wide-web (BroadJam, CopperDog Studio, Women of Substance Music podcast) and three more CDs of our music. For me this was trully a dream come true - that I never really knew I'd had!
Still Making Noise
My interest in music is stronger than
ever thanks to that encouragement and I feel as though I had grown, musically, more
in that first year of our association than I had in the previous 50 years. Yes, an exciting music involvement that didn't happen until I'd crossed into my 60s! My interest in listening to and performing music now reaches much farther beyond John Denver and Pete Seeger. I finally came to feel that I was an active part
of a well populated and active music scene in and around Sedona. With other participants - all of that 'certain-age' - we simply loved sharing the music as good friends, with little to no drama or personal upheavals.
Friends/neighbors were invited to my home for an evening of cheese,
wine and music as was the case with invitations to the homes of others on a regular basis. It was our favorite way to enjoy one and other's company. Music was always the catalyst. It was an amazing era from my point of view - just having friends gathered together to share the music, which included some ‘gutsy’
guitar strains often from some "old" guys who'd played with well traveled bands in the 60s-70s, There were sambas and old ballads, jazz, sea chanties, rhythym and blues, country and even classical notes, It was a lively, intoxicating music scene and I was in the midst of it!
Still Making Noise |
It was that: ‘life come full-circle’
scenario.
At one point on an evening when the music event was held in my backyard I wondered if we might be disturbing other
neighbors with the volume of our music. For a moment I wondered if someone in the
neighborhood might be thinking:
“Listen to the Noise!”
(Photos and illustrations by B. Marie Jarreau except where otherwise noted.)
…
Marie's piece will make you wish you could eat her words. It will make you hungry for New Orleans food and more of her writing. I've been to New Orleans only once, but now I feel I know it in my bones. That's the gift of a good writer: Marie generously makes her memories ours. Now to watch for her CD so my ears can be full, too.
ReplyDeleteTerry, your comment is so generous and so beautifully written! Thank you. Certainly makes me want to write and share more here.
DeleteAm putting finishng touches on the next New Orleans Memory, "A Sense of Place - The Mulberry Patch".
Hope you'll enjoy it as well :o)